I have my own ensemble 'decibel' featuring some excellent musicians and aside from that I have collaborated with and written for many fine musicians including the BBC Philharmonic Orchestra, the Ulster Orchestra, the National Orchestra of Belgium, the London Sinfonietta and Sound Intermedia, Ensemble SurPlus, Orkest de ereprijs, Concorde, the Smith Quartet, Echo Ensemble Berlin, Ulrich Mertin, Darragh Morgan, Damien Harron, Roman Mints, Paul Roe and Sarah Nicolls.
Influences
Some influence and likes, Marcel Dzama, David Shrigley, Bridget Riley, Luc Ferrari, Gerald Barry, John Zorn, Michael Finnissy, Morton Feldman, Paul Dunmall, Louis Andriessen, Helmut Ohering, Joanna Newsom, Barry Guy, the Cohen Brothers, Husker Du, Sonic Youth, Glenn Branca, Alvin Curran, Edgard Varese, Iannis Xenakis, Igor Stravinsky, Kraftwerk, Oiler, Dakiz, Chunk, the Beach Boys, Brian Irvine, Dan Flavin, Howard Skempton, Conlon Nancarrow, Charles Ives, Jack Ledge, Jack B. Yeats, AGF, Tom Waits, Elvis impersonators, old men with stories in pubs, thrash metal, contemporary dance, Bjork, the guy who used to play the saw on the street in Belfast, people who whistle random tunes openly, decibel, The Tiger Lillies, Donnie Darko, Phil Niblock, coffee, cake etc etc.
Sounds Like
Well me really but some reviews have described it as anarchic, energetic, moving etc etc....
Composer Ed Bennett was born in Bangor, Co.Down, N.Ireland. His music, which has been described in the press as “anarchic” (Irish Times), “manic” (Classical Music), “brutal” (The Guardian) and “beautiful” (Gramophone) often combines acoustic, electronic and multimedia elements.
After several formative years working in his home town of Bangor as a self-taught musician, playing in rock bands and stacking supermarket shelves, he pursued composition studies with a diverse range of musical personalities and has lived in recent years in Birmingham, Berlin and London.
His work has been commissioned and performed internationally by many diverse artists, ensembles and organisations including the BBC, RTE, PRSF, Music Network, Moving On Music and the arts councils of England, Ireland and N.Ireland. Noted performers of his work include the BBC Symphony and Philharmonic Orchestras, the National Orchestra of Belgium, RTE National Symphony Orchestra of Ireland, Ulster Orchestra, the London Sinfonietta and Sound Intermedia, Ensemble SurPlus, Crash Ensemble, Ars Nova Ensemble (Sweden), Orkest de ereprijs, Fidelio Trio, Lontano, Concorde, the Smith Quartet, Berlin Percussion Ensemble, Reinbert de Leeuw, James MacMillan, Arturo Tamayo, Ulrich Mertin, Darragh Morgan, Damien Harron, Roman Mints, Paul Roe and Sarah Nicolls. He also performs with and directs his own ensemble, ‘decibel’, which is dedicated to the performance of new and experimental cross-discipline work.
Recent performances and commissions include a work for viola and ensemble for Garth Knox (Excavation - Arts council of Ireland commission), a work for the Portuguese percussionist Pedro Carneiro (Clockwork Monkey Machine - Music Network commission), a work for orchestra and electronics for the Ulster Orchestra (all of this used to be trees - BBC R3 Commission), a work for the Fidelio Trio (for Marcel Dzama - Bromsgrove Concerts commission) and a new work for ensemble, electronics, video and improvising saxophonist for the Ars Nova Ensemble and Paul Dunmall (Integra/NGA Commission). He was a finalist in the British Composer Awards and in 2007 he was a featured composer in the RTE National Symphony Orchestra of Ireland’s Horizons series where a portrait concert of his orchestral music was given. His work Ausland for orchestra was awarded the first prize in the Tactus Composers Forum in Brussels, Belgium in 2006. His music has been widely broadcast on radio and CD’s have been released on the Lorlelt, Enzyme, CMC and NMC labels.
Ed Bennett is represented by the Irish Contemporary Music Centre where further scores and recordings of his music can be obtained.
Hi Ed, long time no see! The Danish composer Per Nørgård's music has been much on my mind the past few years. Arguably the most important now living Scandinavian composer also has a remarkable output for the guitar. I spent a couple of years working with the composer on this repertoire, spanning from 1973 to 2000, in order to embrace the emerging performance practice associated with his work.
I have just uploaded 10 new tracks, all taken from "Tales From the North", my double CD box with the complete guitar works of Danish composer Per Nørgård. Also, in my latest blog you will find recent reviews of this release.
For further reading about the composer, this is an excellent website, with articles by a series of scholars and performers that have dedicated much study to his work:
Hi Ed Bennett, thanks for accepting my friend request. I appreciate the opportunity to introduce You to the music of ALIEN SKIN.
If you enjoy the MySpace song previews, you can listen to DON’T OPEN TILL DOOMSDAY by visiting my band-website (below) … AND while you’re there, help yourself to the selection of free downloads!
Ed Meister Mc Bennetton, I love the new photo, you look very Continental there, though Newry Market would be a nicer backdrop if you ask me. Your new piece sounds great...We can do an Analysis Day on both of our pieces when you come to Berlin...make that a week as mine is so complex. I am in Cork and having a good time. You should be proud of your Cork half....i have the Donegal half to worry about....Speak soon
Thanks, your music is very interesting, we like it a lot. Please let us know what you think of our 'online jam' site and if you would like to be a part of it.
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