The other dark half of the moon is a black Monofob...
In 1973, Pink Floyd released one of the most (in)famous records ever, with Dark Side of the Moon. 35 years later, a Hungarian trio called Sonar released Celluloid, an album that shows the other half of the moon is just as dark and, more importantly, that Psych is not dead.
This album may not be, and however unfortunate will likely never become, as well known as Dark Side of the Moon, but it definitely shows that psychedelic progressive rock is not dead. With slow, long weaving melodies that are sometimes carried by the bass guitar, sometimes by the guitars and sometimes by the keyboards or programmed synths (and a rhodes, not to be forgotten) make acid and everything that came after it unnecessary. Just let this trio with their guest drummers and vocalists carry you through space - on a musical trip that you won't easily forget.
Peloton could've fit on Dark Side of the Moon, Kalamar has a great pounding rhythm underneath the guitars (which sometimes bring a hint of The Wall), Weloce brings you to distant planets - every track has something new to offer. In some places the influences of old Floyd are very clear, but Sonar definitely has it's own style, which blends classic psych with more modern (progressive) rock sounds.
Listening to this album makes it very easy to imagine what a concert might be like - when they cooperate with VJ Lab for the visual effects. The album is hard to get outside Bulgaria, but ways to the rest of the world are opening up thanks to for example Progwalhalla.nl. Let's hope this will allow more people to enjoy this great band and bring us more reviews.
A 4-star debut - for a band that we first learned about through the Unsigned Bands forum.
Report this review (#197669) | Posted 2:43:34 PM EST, 1/7/2009
Sonar are a Hungarian quartet who play an all instrumental brand of rock that incorporates space rock, electronica, trance, progressive rock and some ethnic influences. The band consists of Bálint Szabó on guitar, Marcell Kovács on synths, samplers and Rhodes, and Balázs Csáky on bass, plus four different drummers credited on different tracks, though one of them, Bence Bolygó, must have come on board full time because he's listed in the lineup on the Sonar Myspace page.
After a brief intro of spacey electronic experimentation and the kind of off-kilter grooves that the Finnish band Circle defined, the music segues smoothly into "Peloton", which is a beautiful spacey, trancey melodic instrumental. Searing guitar licks, heart pounding bass and outstanding incorporation of electronics. And I like the way the band alternates between quieter ambient sections and heavier rocking parts, the latter bringing to mind a spaced out version of U2 with electronics added to the mix. Other highlights include the seductively melodic "Katamar", which works itself up to high levels of uplifting intensity. I really like the mixture of guitar styles that contrast in interesting ways with the electronics. "Weloce" is part head boppin' spaced out and funky dance piece and part intense and briefly dark doomy Prog, with just a wee bit of hip-hop scratching thrown in for good measure. Lots of thematic transitions that all come together nicely and all within the boundaries of a 5 minute piece. Impressive. "Central Station" is a deeply meditative but still melodic trance-ambient piece. But after a bit it starts to rock out in ways that really brings to mind fellow countrymen Korai Orom. "Deltroid" is one of the most high energy tracks of the set, mixing blazing and bubbling trip guitars with spaced out and totally freaky synths and in-yer-face drumming? these guys are on FIRE! "Üveg" features searing acidic rock and trippy grooving funk. And "Dubai" is another excellent high energy rocker that sounds like a space rock version of U2.
Sonar excel at composing solid melodic hooks and building various interesting rock and electronic constructions around them. Overall they strike me as a combination of U2, Porcupine Tree and Korai Orom. Stripped down to its basics the music would probably be classified in the mainstream press as "Alt-Rock". But with the addition of the electronics, spacey vibe, and imaginative compositional complexity, Sonar have created an enjoyable hour of meditative and rocking pleasure.
For more information you can visit the Sonar web site at: http://www.sonarmusic.hu Visit the Sonar Myspace site at: http://www.myspace.com/sonarmusic
Reviewed by Jerry Kranitz Here's another opinion..... Sonar is a great new instrumental Hungarian band in the flavor of Colorstar and Korai Örom but with their own unique flavor. I am really into their new CD. All but one of the tracks from their debut CD-EP are included here in what I believe are rerecorded versions. Sound is very modern, clean and expressive. The band is 3 main guys (Bálint on Guitars, Marcell on programming, synths and Rhodes, and Balázs on basses). They are backed up by 4 different drummers on various tracks and two vocalists (who both only appear on tracks 3 and 9). The CD starts off with a very spacey beginning before taking off. Peloton starts things off and is a very synthesizer driven track. Very groove based but also quite spacey and electronic. Kalamar is next and starts more slowly and spacey but is a beautiful and melodic track with spacey guitar. The vocals come later in the track and are quite ethereal if you can recognize them at all. Welance will for sure remind you of Colorstar. It features a really nice synth solo at the end. Monofob starts slow and spacey but builds nicely and has some really cool delay guitar. Central Station, which was on the EP again, stands out as a great track. Such beautiful melodic guitar to accent the synthesizer drone until the sitar like synth takes over. Special ending. Deltroid starts with an intense synthesizer and some fast uptempo drumming as the delay guitar takes the song in another direction. After the cool heavy guitar riff kicks in this one gets very psychedelic and then suddenly sort of jazzy with some nice Rhodes piano but it is a short section and this is very much a guitar track. Üveg has perhaps the heaviest guitar on the record but it still maintains quite melodic and a little funky at times as well. They really work the synths into their music in a brilliant way, sometimes dominating and other times just accenting the music as is in this track. Popp has a guitar very much like Pink Floyd's Run like Hell that starts this track off but then it changes (although he does make use of a similar delay guitar). Nice melodic spacey track. Dubai, also from the EP, is next and one of the more uptempo and rocking tracks. Abstro ends the CD in a very harmonious and spacey way. I am not sure what it is I like about these tracks but they are all about 5 minutes long and just cool short melodic grooves that are interesting and spacey and just cool songs. Check this band out.
bulgária? :)) szép írás egyébként, egyetértek. kár h a múltkori közös koncertünk elmaradt...
bulgária? :)) szép írás egyébként. egyetértek. kár, h a múltkori közös koncertünk elmaradt...