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Black Sheep
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Black Sheep
Released: Aug 10, 2010
Label: ABKCO (US)
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    Black Sheep

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General Info

  • Genre: Rock

    Location Canada, US

    Profile Views: 7812902

    Last Login: 1/4/2012

    Member Since 9/13/2005

    Website ilovemetric.com

    Record Label Metric Music International / Last Gang (Canada) / Arts & Crafts (Mexico)

    Type of Label Indie

  • Bio

    When you hand over your money for a concert ticket, what are you really paying for: some idea of the performer you've gleaned from gazing longingly at album covers and compulsively clicking YouTube videos, or the performer as they choose to express themselves on that given day? Is the consumer entitled to a certain expectation of the performance — a satisfaction-guaranteed procession of "the hits"— or should the artist interpret the fan's investment as a vote of confidence, that the fan is willing to follow their every whim? In other words, is the customer really king, relegating the artist to the role of a court jester whose sole purpose is to entertain on demand? Or does the artist, elevated up on the stage and paid for the privilege, still dictate the terms of the contract? For Metric frontwoman Emily Haines, all these questions came to a head on the evening of March 30, 2008 at the Phoenix Concert Theatre in Toronto. She was all set to perform the sombre piano-based ballads that comprised the two releases from her solo venture, The Soft Skeleton: Knives Don't Have Your Back and What Is Free To a Good Home? — much of which were written following a time of great sadness and personal loss. But having performed those songs so many times since Knives' September 2006 release, Haines had an epiphany during that Phoenix show — she didn't want to be sad anymore. And she didn't want to play those songs. So, about 40 minutes into the show, she stopped "Dr. Blind" mid-verse and said just that: "I don't want to play these songs anymore." Instead, she spent the next half hour talking to her fans, encouraging them to join her at the piano on stage and, for the grand finale, pulling a kid from the audience for an impromptu duet on Metric's "Live It Out." She was up for anything — except playing those songs. Some disappointed Soft Skeleton fans in the crowd probably thought the show was a trainwreck. But for Haines herself, it was about getting her mind back on track — to the business of completing Metric's long-awaited fourth album, Fantasies. "Writing for me comes from a process of trying to piece things together," says Haines. "The function of music in my life is to help me understand what the hell is happening. This new record was about ending the fragmentation of my existence. Everything in the world right now — all the technology, the way we listen to music or watch films — everything has changed so much in my lifetime. People are allowed to have multiple identities — you're somebody online, you're somebody else in public — in multiple dimensions, scattered across the world… I wanted to bring all that into one place, one band, one record… I want to be one person." But in order to come together, Metric first had to drift apart. After touring non-stop between 2003's breakthrough release Old World Underground, Where Are You Now? and 2005's frenzied follow-up Live It Out, the four members of Metric sought sanctuary in sideline pursuits — Haines threw herself into the Soft Skeleton and took a soul-cleansing sojourn to Argentina; guitarist/co-founder Jimmy Shaw built a neighborhood recording facility, Giant Studio, on Toronto's burgeoning Ossington Avenue strip with his neighbor Sebastian Grainger; while the Oakland, California-based rhythm section of bassist Joshua Winstead and drummer Joules Scott-Key toured their own garage-rock offshoot, Bang Lime. "We didn't have a moment where we stopped," says Haines. "When I look back at the touring, it really was like 300 days a year for those three years [between 2003 and 2006]. After that, I thought if we went straight into recording the next album right away we would end up just writing about being in a band on the road because that's all we had experienced. We had to reconnect with our humanity first." Says Shaw: "We allowed this record to take a year and a half whereas for Live It Out we didn't let it take more than 10 weeks. We just allowed it to take its own process, and whatever that process was going to be, it was going to be, and we were relaxed about it. We wrote when we could — we would get together for a month and then take a couple months to do our own personal shit again." Formed in Toronto but, at various times, based in Montreal, London, New York and L.A., Metric boasts the sort of history that requires one of those connect-the-dots redlined maps you see in an Indiana Jones movie — and the story of Fantasies is no different. First stop: Bear Creek, located outside Seattle, Washington. "The four us went out into the woods as a band with no expectations and did whatever we wanted" Haines recalls. "We were coming from London so it was a serious contrast - it felt like we had left civilization and all that mattered was music again. We wrote a lot of songs there including 'Gimme Sympathy', 'Collect Call'… and 'Black Sheep', which isn't on the album 'cause it has a life of its own. When I listen to the finished record, I feel like all its warmth comes from that place in the woods." In their recent episode of the Bruce McDonald-produced IFC documentary series, The Rawside Of…, Metric can be seen performing these songs in stripped-down, acoustic versions, and following the taut, barb-wired rock of Live It Out, it would've made total sense for the band to pursue a simple, back-to-basics approach further. But as the scene shifted over the course of 2007 and 2008 — back to Toronto and then New York, with Haines' Argentina retreat in between — so too did the shape of the album. And through rigorous road-testing of the new songs, the mercurial material gradually solidified into a singular sound. "We toured the new songs a lot," Shaw says, "because you might play something 30 times live before you start to realize, 'Why did I get bored every single time I got to the second verse?' and 'Why does the ending always suck?' The songs went through a lot of surgery, and we really feel like we sculpted them and got the best out of them. I felt like I could hear the sound of the whole thing in my head — it was really big and really dreamy. There were images of chasing invisible butterflies and pterodactyls coming out of their shells and flying off prehistoric cliffs. The sound of the record was more based on the idea of soaring pterodactyls than on that of another band, or some '70s sound." Adds Haines, "For me, the major influences on the record were the places we wrote it: Bear Creek, this utopian farmhouse studio, and then our own studio in Toronto, which definitely brought in the electro, dance and rock elements because the city feels so good right now and so many of our musician friends were around. And then for me, being in Buenos Aires, most of the songs I brought to this record came out of being in exile with just a piano and a guitar. And then in the final stages, mixing at Electric Lady in NYC brought everything around to where we first met Josh and Joules." But Fantasies is not so much about where Metric has been as where it takes you. While Haines' missives from inside the VIP room (as cutting as ever on motorik rockers "Gold Guns Girls" and "Front Row") would suggest the titular Fantasies are of the unattainable (or even undesirable) variety, the album's gilded surfaces and textural density — a heady amalgam of psychedelia, disco, electronic and rock — supports Shaw's assertion that the title is meant to evoke a certain "dream state" quality. And no song better encapsulates the utter surreality of dreaming — that peculiar combination of bliss and terror — than Fantasies' massive glam-rockin' closer "Stadium Love," a song meant to be heard in the building it's named after, but whose candy-coated "ooh-ooh-ie-ooh" chorus just might distract you from all the crazy shit happening during the verses in between. Haines explains: "I had just gotten back from Coachella, and I walked into the studio and noticed on the bulletin board that Joules had written 'spider vs bat,' i think he had been obsessively watching all these National Geographic animals-fighting-each-other-videos in his hotel room. For me, that phrase triggered an entire narrative that was about a gladiator-style enormo-dome where everything turns in on itself, with every form of aggression on display for spectators: monster trucks ramming into each other, bull fighting, sweaty men wrestling. And then you have these animals completely disconnected from the logic of their natural habitat, so you have a swan pecking the shit out of an elephant and pigs biting the necks out of tigers, and bats attacking spiders. And then in the seats, the spectators are kicking the shit out of each other too. There's this completely blurred line between spectator and participant, and we're all trapped in this fucked up Noah's Ark. The images came to me all at once, and I wrote the lyrics on the spot." And so an album that began its life as an acoustic jam session in the bucolic woods outside Seattle ends in a cartoon orgy of bloodshed in some mythical arena that exists in the darkest recesses of Emily Haines' mind. Each extreme represents a fantasy in their own right: the ideal of hermetic artistic purity versus the spectacle of excess and decadence. Being yourself versus being what they want you to be. Emily Haines stared down these very polarities on her own that night at the Phoenix, but with Fantasies, Metric are now free to define their reality on their own terms. So when, amid the daydream electro of "Gimme Sympathy," Haines invokes that age-old existential dilemma — "Who would you rather be: The Beatles or The Rolling Stones?" — it's only because she already knows the answer: neither.

  • Members

    Emily Haines (Vocals, Synth), James Shaw (Guitarist), Joshua Winstead (Bassist), Joules Scott-Key (drums)

  • Influences

    Booking: colinlewis[at]theagencygroup.com (CAN) mdiamond[at]paradigmagency.com (USA) EBanks[at]caa.com (Ex-North America) Press: CAN - rob[at]odeal-friends.com USA - jim[at]bighassle.com UK- fred[at]mbcpr.com

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  1. Metric

    Pleased to announce we're playing Sasquatch this year! Check out the full line-up here http://t.co/3O2jzmKK

  2. Metric

    Check out a room of musical innovation at the Four Seasons Centre for the Performing Arts on Nov. 15! Learn more at http://t.co/a7md4jzf

  3. Metric

    Check out the Amex Room For Thought program winner Andrew Huang and GHOST starting Nov 15 at the Four Seasons Centre for Performing Arts!

  4. Metric

    Here's her story: http://t.co/SjttSlui

  5. Metric

    Today is the appeal hearing for Rula al-Saffar. Hoping this will be the end of her ordeal.

  6. Metric

    Stay tuned for updates on how I'm working with Andrew Huang to create an interactive music installation. http://t.co/a7md4jzf

  7. Metric

    Alberta Cross play the Opera House in Toronto tonight! Love those guys!

  8. Metric

    Excited to be working with Andrew Huang, the AMEX RFT winner, to create an installation that allows public interaction with music!

  9. Metric

    Much respect to all who turned out today!

  10. Metric

    Fractured communication makes it hard to keep everyone together, the march seems impossible?

Comments

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  • Some Bizarre

    Honour or shame, act well ones part, for that is where the honour lies  " Tortoises (Testudinidae) or land turtles can not put ones self onto a fence post".

    5 days ago
  • RockMind Producciones

    Hola Metric te invito a @NORTEC COLLECTIVE B+F EL 18 DE FEBRERO 2012 EN SIX FLAGS MEXICO, Y SI TIENES UNA BANDA PARTICIPA EN LA "GUERRA DE BANDAS 2012" AL LADO DE "LOS BUNKERS" 27 DE ABRIL 2012, EVENTOS EN EL ESCENARIO TEATRO CHINO DE  SIX FLAGS MEXICO.
     
     

    www.facebook.com/rockmind.tv
    PARA RECIBIR LAS BASES ENVIA NOMBRE, TEL Y CORREO A:

    sixflags@guerradebandas.com.mx


    CON EL ASUNTO SOLICITO BASES
    Y RECIBE A VUELTA DE CORREO LAS BASES PARA PODER PARTICIPAR EN EL MEJOR ESCENARIO CON MAS DE 15 VISITANTES
    VISITANOS EN www.rockmind.tv y checa mas eventos para todo tipo de bandas de rock.
    contacto para bandas del Distrito Federal y Area Metropolitana tel. 43316927 / 04455 2324 5093
    visita nuestras webs y checa todo en:

    www.facebook.com/rockmexico

    7 days ago
  • BlocMotor

     Merci !
    Nos dernières vidéos :
    www.youtube.com/watch?v=WNLzNe2iuro
    www.youtube.com/watch?v=FJHvgGdoy60
    ;) Hans

    8 days ago
  • Dream Aria

      Dream Aria Loves Metric if you love Metric check out Dream Aria

    10 days ago
  • Tay Lindsey

    Hey Metric Did you know that theres a New website called Promusic360.com that can get you 298,000 Myspace friends and visitors to your website...they got me 205,000 friends yesterday.......i left you with the link Let me know if it still works for you.......if not i will just send it to your inbox





    I also own the Matchmaking dating site Emeraldmatch.com if you join tonight i will give you a free membership, But you must join so i can submitt your info to my customer service department


    http://www.emeraldmatch.com

    12 days ago
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